Creative Traditional:

[Mohammad Ilyas]

Man is bound to wisdom, discipline and magnitude
while fate is rude in fued that is veiled in latitude

love and misk can not hide that is out of an order
even if concealed in packs speaks up the attitude

even a learned man in love succumbs to the law of nature
in his words or self originated gesture of aptitude

she knows not by her act of my being open to others
humiliating me she enjoys passion of love in solitude

well bred pets may live long in cages with cry and hue
from heaven chains be brought for Romans for servitude

Mir! Come out! as dawn has opened eye of the sky
brook, flowers, chirping bird and charm wish for gratitude.

[Terence]

Hi Mohammad,

I see you have used the modern form of Ghazal, rather than the traditional, where the two lines in the first couplet, and the second line of each couplet, end with the same word, though you did make them rhyme.
You are, presumably, either in the process of learning the English language, or your native language does not translate into English meaningfully.
But this is not a critique forum, or one that can provide the corrections that will help you understand how meanings can be better expressed.
As I usually find in this situation, your poem has substance - it is very expressive, but it is clouded by the difficult wording. I take 'Mir' to be a female name, rather than 'peace' or 'to see' from other languages, and the narrator to be pleading with the woman to take him back. I hope you can get some assistance with this as the end result should add another colourful dimension to the use of the English language.

Terence

[Mohammad Ilyas]

I think you have not got the theme though you know what Ghazal is. 'Mir' is a Persian word derived from the Arabic word 'Amir' that means head or chief so make that known to yourself. May be I am not good in English but you lack feeling. However I am happy to see you write much about.