A quatrain is a
stanza or poem consisting of four rhyming verses. There are a variety of rhyme schemes for the quatrain, the more prominent ones listed below:
- ABAC or ABCB -- known as unbounded or ballad quatrain -- as in Samuel Taylor Coleridge’s “The Rime of the Ancient Mariner”:
The Following Text Is Quoted:
It is an ancient Mariner,
And he stoppeth one of three.
'By thy long grey beard and glittering eye,
Now wherefore stopp'st thou me?
The Bridegroom's doors are opened wide,
And I am next of kin;
The guests are met, the feast is set:
May'st hear the merry din.'
- AABB -- a double couplet -- as in A.E. Housman’s “To an Athlete Dying Young”:
The Following Text Is Quoted:
The time you won your town the race
We chaired you through the market-place;
Man and boy stood cheering by,
And home we brought you shoulder-high.
- ABAB -- known as interlaced, alternate, or heroic -- as in “Sadie and Maud” by Gwendolyn Brooks:
The Following Text Is Quoted:
She didn’t leave a tangle in.
Her comb found every strand.
Sadie was one of the livingest chits
In all the land.
- ABBA -- known as envelope or enclosed -- as in John Ciardi’s “Most Like an Arch This Marriage”:
The Following Text Is Quoted:
Most like an arch—an entrance which upholds
and shores the stone-crush up the air like lace.
Mass made idea, and idea held in place.
A lock in time. Inside half-heaven unfolds.
- AABA, the stanza of Robert Frost’s “Stopping by Woods on a Snowy Evening”:
The Following Text Is Quoted:
Whose woods these are I think I know.
His house is in the village though;
He will not see me stopping here
To watch his woods fill up with snow.
My little horse must think it queer
To stop without a farmhouse near
Between the woods and frozen lake
The darkest evening of the year.